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Mateo Zlatar
... Santiago Chile, he authored a 6 channel
sou
ndtrack and graphics. In May 2003 his...
Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in
Sou
nd-and-Light Media Installations.
2012
... of Audiovisual Relations in
Sou
nd-and-Light Media Installations. In...
zgodlocator
1998
-
2002
... up in the hardware soils. The "hardware-
sou
nds" are captured and processed, initializing...
Void (Traffic)
2003
-
2003
... traffic through KHM' homepage into
sou
nds and images. The installation provides a...
Pikapika
2000
-
2000
... musical tradition. However, the actual
sou
nds are not drawn from bunraku musical...
Embodied
Sou
nd, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance
2010
...Basanta, Adam. Embodied
Sou
nd, Enacted Music: Considerations for the Re-conceptualization of...
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium
sou
nd art
2009
... and audience in contemporary fixed medium
sou
nd art inter/tidal ii: SFU Humanities Student...
Timbral Architecture | Aurality´s Force: Music and
Sou
nd in the Choreographies of William Forsythe
2010
... | Aurality´s Force: Music and
Sou
nd in the Choreographies of William Forsythe...
The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision
2009
... Environments of Audio-Vision In See This
Sou
nd - Audiovisuologies 2, edited by Lentos...
Schwelle: Sensor Augmented, Adaptive
Sou
nd Design for Live Theatrical Performance
2007
... Schwelle: Sensor Augmented, Adaptive
Sou
nd Design for Live Theatrical Performance In...
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