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XXX 1987 - 1987

XXXArtist: Ruth SchnellComment:
AkademieGalerie 2004 - 2008 2009

Herzing, Ruth; Holzwig; Matzner (Hrsg.). AkademieGalerie 2004 - 2008. 1st edition th ed.München: Akademie d. Bildenden Künste München, 2009.
Floating Signs 2011 - 2011

Light installation in public space, 2011-present Harbour, Bregenz (A), invited competition Departing from ambiguous concept and image worlds related to terms like harbour, arrival, staying (also being allowed or having to stay), 'Floating Signs',
Kayla Parker

Artist film-maker whose current work centres on watery places such as rivers, estuaries and coastal zones. She uses a process-based dialogic methodology informed by écriture féminine to explore the interrelationship between bodies and forgotten,
Leo Peschta

Biografie Leo Peschta 18th june 1978, in Wien geboren lebt und arbeitet in Wien 2008 Robots' Choice Award, Art-Bots Dublin since 2008 working for RCSI, (Research Center for Shared Incompetence) 2003-2004 Heinrich-Klotz
Reality by Other Means 1996

Rutledge, Virginia. Reality by Other Means Art in America 84, no. 6 (June 1996): 38-39.
Bedlam and Other Robotic Art Projects 2003

Penny, Simon and Bill Vorn. Bedlam and Other Robotic Art Projects In Subtle Technologies 03, edited by Jim Ruxton and Tania ThompsonUniversity of Toronto, Toronto: 2003.
Ruth Schnell

Ruth Schnell is an Austrian media artist, professor for media arts and curator. She has been working with computer-aided tools since the mid-1980s. Her artistic research focusses on examining the perception of images/sound/language in connection
Design and Entertainment in the Electronic Age 1994

Allen, Rebecca and Bill Brown and Kit Galloway and Ruth E. Iskin and Sherrie Rabinowitz and Alex Singer. Design and Entertainment in the Electronic Age Leonardo 4, no. 4 (1994): 347-351.
Active Touch and Robot Perception 1984

Goldberg, Ken and Ruzena Bajcsy. Active Touch and Robot Perception Cognition and Brain Theory 7, no. 2 (Winter 1984): 199-214.

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