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  • Alexandra Dementieva
    Lives and works in Brussels The idea of interaction between the viewer and an artwork, mediated by technologically progressive visualization methods, lies at the core of her work. In her installations she uses various art forms on an equal basis:
  • Which one is true? -
    Reality has become more precious with the advent of artificial intelligence. We are now living in the era of post-truth and is bombarded by fake news and manipulated by social media. With the advent and popularization of artificial intelligence used
  • And One For Next Year.
    A personal and unique birthday celebration with the hebrew custom of ‘raising the chair’ with the celebrator. Visitors are asked a question: HOW OLD DO YOU FEEL? they can choose any age from 1 to 120 once pressed, a large 1:1 scaled projection of a
  • Cities live and die like trees -
    A city map is just a replica of the map of the roots of its trees. This new project centers on the relationship between trees and cities, their resemblance and potential for mutual cooperation. As a continuation of the EDEN project; which put
  • Bots -
    Copyrighted memes live in our minds, influence our thoughts, even shape our decisions. We are hosts for these memes, yet we have no say in their design, nor do we have the legal right to alter them. Like sacred icons they are controlled by corporate
  • Revelation of Eve Clone IV -
    In 2014, I was invited to exhibit Revelation of Eve Clone IV in “Raising the Temperature” at the Queens Museum of Arts, New York. The work presented Eve Clone being submerged by seawater in a ruin. The water was dyed red, like blood from the dead.
  • Raising the Temperature -
    Event: Raising the TemperatureInstitution: Queens MuseumComment:
  • 2014 “Raising the Temperature “International Art Exhibition, Queens Museum of Art, New York, USA -
    2014 “Raising the Temperature “International Art Exhibition, Queens Museum of Art, New York, USA
  • Lepidopteral -
    Lepidopteral explores the subtlety and gentleness of elements in nature, without direct reference to, or use of, biological materials. The work was inspired by an experience at Lago di Fiastra in Le Marché region of Italy, where butterflies had
  • SIGGRAPH Art Gallery 2025 -
    Liquid Views - Echoes of Self (2025) "Liquid Views - Echoes of Self (2025) is a video reimagining of the 1992 interactive installation that blends nature, art, and technology in a reflection on digital identity. It draws on the ancient act of
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