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  • Zhan Wang
    Zhan Wang is widely recognized as one of China's leading contemporary artists today. Working in installation, photography and video, his sculpturally informed practice challenges ideas of landscape and environment, addressing the urban, rural,
  • Fernando Orellana
    Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and traditional media as a way of transmitting concepts that range from generative art to socialpolitical
  • Der pornographische Blick -
    Event: Der pornographische BlickInstitution: Künstlerhaus SalzburgComment:
  • LATEX EXPOSURE AND ALLERGY
    A Gonzalez-Carsolio and AA Velasco-Medina and AL Burbano-Ceron and G Velazquez-Samano. LATEX EXPOSURE AND ALLERGY ANNALS OF ALLERGY ASTHMA & IMMUNOLOGY (NOVEMBER 2012): A82-A82.
  • The Messenger
    The Messenger is an Internet driven installation based on early proposals for the electrical telegraph, in particular those made by the Catalan scientist Francesc Salvá. It examines the metaphors encoded within technology, especially lost or
  • Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial
    Weibel, Peter. Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial In Hypermental. Wahnhafte Wirklichkeit 1950 - 2000 von Salvador Dali bis Jeff Koons, edited by Bice Curiger and Christoph Heinrich,
  • ADA_Feature_Eduardo_Kac_Zamora_Mealing_2022.pdf
    ... with a new highly symbolicanamorphic...
  • Featured Artist Eduardo Kac
    Eduardo Kac, pioneer of multiple art genres like Telematic Art, Transgenic Art and Bio Art, guides us through 40 years of radical changes in the body-technology relationship, offering different approaches on how to reflect the boundaries of human
  • Camera Lucida
    Incubator (with Tao G. V. Sambolec)
  • A 442 Hz. - video
    Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)
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