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  • Towards a Third Culture: Being In Between
    Vesna, Victoria. Towards a Third Culture: Being In Between Leornardo On-line 34, no. 2 (2001): 121.
  • Rafael Lozano-Hemmer
    Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada. Electronic artist, develops interactive installations that are at the intersection of
  • TechnoSphere: "Real" Time "Artificial" Life
    Prophet, Jane. TechnoSphere: "Real" Time "Artificial" Life Leonardo 34, no. 4 (August 2001): 309-312.
  • Creating Artificial Life for Interactive Art and Entertainment
    Sommerer, Christa and Laurent Mignonneau. Creating Artificial Life for Interactive Art and Entertainment Leonardo 34, no. 4 (August 2001): 303-307.
  • Instrumental Poetics: The Interactive Art of Diana Domingues
    University of Caixas do Sul, ed. Instrumental Poetics: The Interactive Art of Diana Domingues. Caixas do Sul: Grupo Artecno - Lab NTAV, 2001.
  • Life Spacies II
    Sommerer, Christa and Laurent Mignonneau. Life Spacies II In Microwave – International Media Art Festival 2001, edited by E. Pau and T. Kong, 8-9. Hong Kong: Microwave, 2001.
  • Lila Moore
    Lila Moore is a pioneering artist, filmmaker, screen choreographer, networked performance and mixed reality creator. She holds a practice-based PhD in Dance on Screen from Middlesex University (2001, UK) in the context of modern and contemporary
  • Practices of Looking: An Introduction to Visual Culture
    Sturken, Marita and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Oxford, UK: Oxford University Press, 2001.
  • Gesamtdatenwerk: Connectivity, Transformation, and Transcendence
    Ascott, Roy. Gesamtdatenwerk: Connectivity, Transformation, and Transcendence In Ars Electronica: Facing the Future, edited by Timothey Druckrey, 86-89. Cambridge: MIT Press, 2001.
  • Leonel Moura
    Leonel Moura is a pioneer in the application of robotics and artificial intelligence in art. In 2001 he created the first robot arm able to generate unique paintings operate by an ‘ant algorithm’. In 2003 a swarm of ‘Painting Robots’ were able to
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