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Type Motion. Type as Image in Motion
2014
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2014
Event: Type Motion. Type as Image in MotionInstitution: FACT, LiverpoolComment:
Schriftfilme. TypEmotion – Schrift als Bild in Bewegung: Ein dynamisches Archiv
2013
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2013
Event: Schriftfilme. TypEmotion – Schrift als Bild in Bewegung: Ein dynamisches ArchivInstitution: ZKM - Center for Art and MediaComment:
Anthroposcope
1993
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1993
video
Anthroposcope Concept Anthroposcope is an interactive installation involving a microscope, a real plant and a fingertip pulse sensor. The heart bit sensor being clipped onto the visitor's fingertip, he or she can explore through the viewfinder of
Escracho (Artist's Book)
1983
Escracho is an artist's book conceived, designed, and produced by Eduardo Kac in 1983 in Rio de Janeiro. It includes contributions from artists and writers from several countries in a variety of forms (visual poetry, essay, cartoon, collage, graphic
Louis Bec
... Bec’s «Vampyroteu
this
infernalis» in his book of...
Typewritings
1981
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1982
TypewritingsArtist: Eduardo KacComment:
Life Spacies
1997
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1997
video
"Life Spacies" is an interaction and communication space, where remotely located visitors can interact with each other through evolutionary forms and images. "Life Spacies" enables visitors to integrate themselves into a 3 dimensional complex
Typologie des interfaces artistiques
2003
Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.
Perceptual Analysis of Gesture Interaction Typologies in Acousmatic Music
2010
Basanta, Adam and Arne Eigenfeldt. Perceptual Analysis of Gesture Interaction Typologies in Acousmatic Music In Seventh Electroacoustic Music Studies Network Conference, Shanghai: EMS 10, 2010.
Stelarc: The Obsolete Body (Interview with Yiannis Melanitis, in Greek)
2001
Tzafestas, Elpida and Yiannis Melanitis. Stelarc: The Obsolete Body (Interview with Yiannis Melanitis, in Greek) Futura magazine 7 (March 2001).
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