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"Wtf" Net works. Case Studies in Web Art and Design
2011
xtine burrough, ed. "Wtf" Net works. Case Studies in Web Art and Design. London: Routledge, 2011.
Digital Foundations: Intro to Media Design with the Adobe Creative Suite
2008
Burrough, Xtine and Michael Mandiberg. Digital Foundations: Intro to Media Design with the Adobe Creative Suite. San Francisco, CA: New Riders, 2008.
Recentevents
2003
video
click here to read the code >click here to launch the project >Please adjust your Java Security Settings for digitalartarchive.at in order to launch the Programme.
Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence
1997
Burton, Ed. Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence Leonardo 30, no. 4 (1997): 301-309.
Time Stratum II
1985
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1985
Toshio Iwai about Time Stratum II: "In this installation, I placed 120 paper human figures on a motorised spinning disk. Iset up a video monitor above them, while strobing the light down, the paper figures all burst into motion. By using a video
Framed Memory Card
2015
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2015
video
FramedMemoryCard responds to an open serie of unique sculptures that becomes a receipt of digital information where the artist “bury” several files under the sculpture structure. It is defined us an information package hard protected with material
Buryzone
Images Against Darkness - video art from the archive of imai (DE/EN), editors: imai - inter media art institute and KIT - Kunst im Tunnel / Kunsthalle Düsseldorf.
2012
Renate Buschmann and Gertrud Peters. Images Against Darkness - video art from the archive of imai (DE/EN), editors: imai - inter media art institute and KIT - Kunst im Tunnel / Kunsthalle Düsseldorf.. Dusseldorf: imai - inter media art institute,
The Bush Soul (#2)
1998
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1998
Bush Soul # 2 is the second work in a series of three interactive art installations, presented as a three screen panoramic immersive environment. (Rebecca Allen)
The Bush Soul (#1)
1997
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1997
Bush Soul # 1 is the first work in a series of three interactive art installations that explore the role of human presence in a world of artificial life. (Rebecca Allen)
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