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Towards Posthuman Creativity: From Kinetic to Bio-Robotic Art
2014
Kluszczyński, Ryszard W.. Towards Posthuman Creativity: From Kinetic to Bio-Robotic Art In Art Line: A Baltic Collaboration, edited by Magdalena Mróz-Grygierowska and Torun Ekstrand, 94-101. Karlskrona: Blekinge Museum, 2014.
Here Comes The Sun - a collaboration between Humboldt-Universität Berlin and Neues Universum Berlin
2012
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2013
2012 HERE COMES THE SUN 09 at the M. Koç Museum (November 2012 – 14. Juli 2013) Curator: Yvonne Leonard a collaboration between Humboldt-Universität Berlin and Neues Universum Berlin - Istanbul, Turkey
Joanne Mills
As a researcher, I am particularly interested in the role of the expanded narrative (as incorporating an active created or controlled space, cross-disciplinary collaboration and/or multi-sensory engagement, and an active audience encouraged to
Dave Everitt
Having originally qualified in Fine Art at Trent Polytechnic, Nottingham U.K, from 1997 I began to combine computing with creative work at Loughborough University's computer science Human-Computer Interface department. Around 2000 this produced two
Innovation regimes based on collaborative and globaltinkering: Synthetic biology and nanotechnology in thehackerspaces
2013
Kera Denisa. Innovation regimes based on collaborative and global tinkering: Synthetic biology and nanotechnology in the hackerspaces Elsevier- Technology in Society (2013): 10.
Reiner Strasser
Reiner Strasser is an artist of traditional and digital arts. He studied art, art history and philosophy at the University of Mainz, Germany. His Web works, international collaborations, and Web art projects date from 1996. Strasser's Web work has
MARI AMMAN
Mari Amman (b. 1984) works globally creating afferent artworks. Images, installations, poetry, performance, sculpture, and artistic research bring forth geological empathy and parietal aspects of perception, sparking inquiry into proposed divides
Collaborative Online Teleoperation with Spatial Dynamic Voting and a Human ``Tele-Actor''
2002
Goldberg, Ken and D. Song and Y. Khor and D. Pescovitz and Levandowski, A. and J. Himmelstein and J. et. al. Shih. Collaborative Online Teleoperation with Spatial Dynamic Voting and a Human ``Tele-Actor'' In EEE ICRA 2002, Washington, CD. May
The Art and Science of Collaborative Visualization
1999
Sandor, Ellen and Janine Fron. The Art and Science of Collaborative Visualization Silicon Graphics World (September 1999).
conscious love
1999
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1999
The installation was conceived for the art show 'amour et conscience', Paris, 1999 (Atelier Sévigné, 9/9/99 - 9/12/99). It consists of three parts: Five curtains, representing consciousness, digital word-picture-prints on
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