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Elektron
2012
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2012
Elektron is a site-specific installation examining the path of electricity from the source to the endpoint in the gallery. Electricity is invisible to the eye and yet indispensable in contemporary society. Switching on a lamp in our homes might seem
Velvet-Transcode
2010
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2010
video
Velvet-Transcode is a work of electronic art conceived to perform a "digital artistic study" of the milestone album The Velvet Underground & Nico. The record has been disbanded and reconstituted as a digital form made up of audio tracks fragments,
Infinity Divided by Sixteen
1987
video
In this interactive installation the visual and auditory components of the work were interconnected and closely related. A finely perforated projection screen was visibly divided into sixteen sections. Behind each section was a speaker connected to
Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews
2011
Pearlman,Ellen. Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews May.
Buzz Club: News from Japan
2001
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2001
Event: Buzz Club: News from JapanInstitution: P.S.1 Museum (MoMA)Comment:
Displayed Buzz 2 a glass, sound and video installation
2008
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2008
Event: Displayed Buzz 2 a glass, sound and video installationInstitution: Urban Arts CenterComment:
BYOB
2012
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2012
Event: BYOBInstitution: Pecci MuseumComment:
EAT
1989
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1989
EAT is an art installation about consumption. It was produced as a class project for Michael Naimark's "Virtual Environments" class in 1989 at the San Francisco Art Institute where it received an SFAI Spring Show Gold Award. EAT is a short
After Tomorrow
2017
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2018
If we consider the Revelation to John as a veritable scenario of the Apocalypse its realization (the reality always differs from the scenario) can look in the following way. There is a world where one part of the survived passed into a new form of
Monumental Attractions: An Archaeology of Public Media Interfaces
2011
Huhtamo, Erkki. Monumental Attractions: An Archaeology of Public Media Interfaces In Interface Criticism: Aesthetics Beyond Buttons, edited by Christian Ulrik Andersen and Soeren Bro Pold, 21-42. Aarhus: Aarhus University Press, 2011.
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