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Michael Najjar
Michael Najjar is a German visual artist. He was born on 31 October 1966 in Landau, West Germany. Since 1988 he has lived and worked in Berlin.
80+1 A journey around the world
2009
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2009
Inspired by Jules Vernes’ classic novel, Ars Electronica, voestalpine and Linz09 are going on a ‘round-the-world journey June 18 to September 7, 2009. “80+1 – A Trip Around the World” is an expedition across the face of our planet and into our
Carl Michael von Hausswolff
Lives in Stockholm Video, Performances, Electronic Music, Installations and audiovisuelle Rooms
Michael W. Wilson
Artist: Michael W. WilsonComment:
Michael Bielicky
Michael Bielicky participate presenting projects that experiment with navigation, video-communication, virtual reality and data visualization technologies, often developed in collaboration with ZKM Karlsruhe, Ars Electronica Linz, High Tech Center
Michael Saup
“Art is the Signature of our Species.” "Michael Saup’s work focuses on the underlying forces of nature and society; an ongoing research project into what he calls the “Archaeology of Future”. His research focus in recent years has been on
The Body/ Le Corps. Zeitgenössische Kunst aus Kanada
1994
Herzog, Hans-Michael, ed. The Body/ Le Corps. Zeitgenössische Kunst aus Kanada. Zürich: Kilchberg, 1994.
Ultima Ratio - A Visual Language for Argumentation
1999
Schroeder, Michael and Daniela A. Plewe and Andreas Raab. Ultima Ratio - A Visual Language for Argumentation In Proceedings of International Conference on Information Visualisation, London, UK, edited by IEEE Computer SocietyVol.IV. , 510-515.
Virtual Perspective and the Artistic Vision: A Genealogy of Technology, Perception, and Power
1997
Shanken, Edward A.. Virtual Perspective and the Artistic Vision: A Genealogy of Technology, Perception, and Power In ISEA´96 - Proceedings of International Society for Electronic Art, edited by Michael B. Roetto, 57-63. Rotterdam, NL: 1997.
Mimesis and Alterity: A Particular History of the Senses
1992
Taussig, Michael. Mimesis and Alterity: A Particular History of the Senses. New York: Routledge, 1992.
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