Archive Search

  • Professor Eleanor Gates-Stuart’s professional practice extends a variety of experience, particularly in research and teaching leadership, relating to the sciences, technology, communication and arts, working in partnership with major research
  • Butler, Cornelia and Alexandra Schwartz and Griselda Pollock and Aruna D'Souza, ed. Modern Women: Women Artists at The Museum of Modern Art. New York: The Museum of Modern Art, 2010.
  • In this interactive installation the visual and auditory components of the work were interconnected and closely related. A finely perforated projection screen was visibly divided into sixteen sections. Behind each section was a speaker connected to
  • Pearlman,Ellen. Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews May.
  • Event: Buzz Club: News from JapanInstitution: P.S.1 Museum (MoMA)Comment:
  • After Tomorrow -
    If we consider the Revelation to John as a veritable scenario of the Apocalypse its realization (the reality always differs from the scenario) can look in the following way. There is a world where one part of the survived passed into a new form of
  • Huhtamo, Erkki. Monumental Attractions: An Archaeology of Public Media Interfaces In Interface Criticism: Aesthetics Beyond Buttons, edited by Christian Ulrik Andersen and Soeren Bro Pold, 21-42. Aarhus: Aarhus University Press, 2011.
  • Event: Displayed Buzz 2 a glass, sound and video installationInstitution: Urban Arts CenterComment:
  • BYOB -
    Event: BYOBInstitution: Pecci MuseumComment:
  • Hsin Hsin, Lin. Love @ 1st Byte. Singapore: World Scientific Pub., 1992.