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The Year's Midnight 2011

The Year's Midnight, 2011 Computer, software, camera, high-resolution display, Seeing Machines face recognition 105.5 x 80 x 12 cm Ed. 3/6, 1 AP (RLH 89.3) White or black smoke bellows from the eyes of the viewer. Live and recorded eyeballs
Lumen Prize - Moving Image Award Shortlist 2017

Event: Lumen Prize - Moving Image Award ShortlistInstitution: Lumen PrizeComment:
Vienna Shorts - Special Mention (Animation Avantgarde) 2020

Event: Vienna Shorts - Special Mention (Animation Avantgarde)Institution: Vienna ShortsComment:
Vienna Independent Shorts - Special Mention 2010

Event: Vienna Independent Shorts - Special MentionInstitution: Vienna Independent ShortsComment:
Bermuda Shorts - Gate Competition Winner 2007

Event: Bermuda Shorts - Gate Competition WinnerInstitution: Bermuda ShortsComment:
Brain Factory, Abstract Shots 2018

Event: Brain Factory, Abstract ShotsInstitution: MicroWave FestivalComment:
Abstract Shots 2018

Event: Abstract ShotsInstitution: VIII Taskent Internationale Biennale of Contemporary ArtComment:
World Skin Shots 2004

Event: World Skin ShotsInstitution: EyebeamComment:
Shouldering the tasks of the Century – Gustav Metzger and computer art 2019 - 2019

part of The Need for Art to Change the World symposium convened by Mathieu Copeland
Biometric Sound Engine 2001 - 2001

Biometric identificationsystems like Irisscanning use mathematical methods to identify personal characteristics. The BiometricSoundEngine works the same way. Personal data like the color information of the human iris is not used for surveillance or

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