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Memory Tracks
1995
Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
Memory Tracks
1995
Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
Memory Tracks
1995
Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
Myron Turner: Autobiography
1996
DeGrow, Don. Myron Turner: Autobiography Winnipeg Art Gallery Studio Series , no. 28 (1996): 4 pages.
The Photo-Based Work of Art in the Age of Digital Simulation
1997
Madill, Shirley. The Photo-Based Work of Art in the Age of Digital Simulation Blackflash 15, no. 2 (1997): 12-20.
The Photo-Based Work of Art in the Age of Digital Simulation
1997
Madill, Shirley. The Photo-Based Work of Art in the Age of Digital Simulation Blackflash 15, no. 2 (1997): 12-20.
Creative Code
2004
Maeda, John. Creative Code. London: Thames&Hudson, 2004.
Nouveaux terrains d’apparition
2013
Courchesne, Luc. Nouveaux terrains d’apparition In Cinéma. interactivité et société, edited by Jean-Marie DalletPoitiers/Bruxelles: 2013.
Posture: An experiment in multifold reality
2013
Courchesne, Luc. Posture: An experiment in multifold reality In Architecture In Formation, edited by Pablo Lorenzo-Eiroa and A. SprecherNew York: Routledge: 2013.
The In/Visible Domain
2009
Courchesne, Luc. The In/Visible Domain. Montreal: Ideaction, 2009.
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