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Slika: Prehajanja/Painting: Transfigurations 2009

Domjan, Alenka. Slika: Prehajanja/Painting: Transfigurations Celje: Zavod Celeia, Center of Contemporary Art (2009).
Slika 2000/Painting 2000 2000

Brejc, Tomaž. Slika 2000/Painting 2000 Equrna Gallery, 27. 6. – 5. 8. 2000. Ljubljana: Equrna Gallery (2000).
Preseženi slikovni okvir: slike/Beyond the Frame: Paintings, 1962-2004, Bežigrajska Gallery 2, Ljubljana, 17th of November 2004 – 12th of January 2005 2004

Bašin, Miloš (ed.). Preseženi slikovni okvir: slike/Beyond the Frame: Paintings, 1962-2004, Bežigrajska Gallery 2, Ljubljana, 17th of November 2004 – 12th of January 2005 (2004).
Slingshot Festival 2015 - 2015

Event: Slingshot FestivalInstitution: SlingshotComment:
Slippery Traces: The Postcard Trail 1996

Legrady, George. Slippery Traces: The Postcard Trail In Artintact 3, edited by A. Sommer, 101-104. Karlsruhe: ZKM, 1996.
Time Slot. Geschichte und Zukunft der apparativen Wahrnehmung vom Phenakistiskop bis zum Quantenkino 2006

Weibel, Peter. Time Slot. Geschichte und Zukunft der apparativen Wahrnehmung vom Phenakistiskop bis zum Quantenkino. Köln: Walther König, 2006.
Slots of Fun, Slots of Trouble: Toward an Archaeology of Electronic Gaming 2005

Huhtamo, Erkki. Slots of Fun, Slots of Trouble: Toward an Archaeology of Electronic Gaming In Handbook of Computer Games Studies, edited by Joost Raessens and Jeffrey Goldstein, 1-21. Cambridge, MA: MIT Press, 2005.
Doug Aitken

Born 1968 in Redondo Beach, California (USA); 1986-1987 studied at Marymount College, Palos Verdes, CA; 1987-1991 studied at the Art Center College of Design, Pasadena, CA. Aitken lives and works in Los Angeles (USA). Aitken belongs to a generation
Cigarette Girls (Digital graffiti) 2017

Andreas Maria Jacobs. Cigarette Girls (Digital graffiti) http://slova.name/slova-17/index.html.
European Media Art Festival 2004: Transmitter 2004

The guiding theme of EMAF 2004 triggered numerous associations: transmitters, emitters, carriers or x-mitters – visualised by all kinds of dove species depicted on the festival’s posters, billboards and catalogues this year. In line with this

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