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  • About 350 artists of over 30 different nationalities are taking part in this 5th edition of the FILE, with solo or collective works in the fields of net art, web art, interactive animation, hypertext, interactive web film, interactive movie,
  • BIO-BIBLION -
    Event: BIO-BIBLIONInstitution: Museu de Arte Moderna, Rio de Janeiro, BrazilComment:
  • Event: TRANS-E: The Body and TechnologiesInstitution: Museu de Arte Moderna, Rio de Janeiro, BrazilComment:
  • Terrarium -
    Exhibition "The Subversion of the Media". Itaú Cultural - São Paulo - SP - Brazil. Period: October 23, 2003 to February 22, 2004. Curated by Maria Alice Milliet
  • Event: FILE (Electronic Language International Festival) / "In the digital Tracking" - Sao-Paulo (Brazil)Institution: The Wrong BiennaleComment:
  • Event: FAD - Festival de Arte Digital - Belo Horizonte (Brazil)Institution: Ars Electronica Linz GmbH & Co KGComment:
  • CAGEBIM is an installation where the visitor interacts. The visitor enters in the room and can read a John Cage's affirmation: " I am always interested in listening to. I am always less interested on the fixed relation between the parts. I am
  • “Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
  • Margaret Dolinsky is an Artist, Research Scientist and Assistant Professor at the School of Fine Arts at Indiana University in Bloomington, Indiana. Her recent work involves digital painting fused into projections for opera and experimental film.
  • The White Room is a metaphor that illustrates the Brazilian atmosphere face to the constant changes in the domestic economy. Moreover, it points to the delicate balance between North and South ­- in terms of world geography -- after globalization.