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  • Interaktion, Interaktivität und die Personalisierung der Massenmedien
    Esposito, Elena. Interaktion, Interaktivität und die Personalisierung der Massenmedien Soziale Systeme , no. 2 (1995): 225-259.
  • Fiktion und Virtualität
    Esposito, Elena. Fiktion und Virtualität In Medien, Computer, Realität, edited by Sybille Krämer, 269-296. Frankfurt/ Main: Suhrkamp, 1998.
  • Mentalizing about emotion and its relationship to empathy
    Christine Hooker and Sara Verosky and Laura Germine and Robert Knight and Mark D'Esposito. Mentalizing about emotion and its relationship to empathy Social Cognitive and Affective Neuroscience , no. 3 (2008): 204-217.
  • Mentalizing about emotion and its relationship to empathy
    Christine Hooker and Sara Verosky and Laura Germine and Robert Knight and Mark D'Esposito. Mentalizing about emotion and its relationship to empathy Social Cognitive and Affective Neuroscience , no. 3 (2008): 204-217.
  • Susanne Schuricht
    Vita: Susanne Schuricht is based in Berlin. Her work engages in installations and photography and is about "the perception of seeing." In many of here installations the human scale and interaction are relevant. From 1997 - 2003 she studied
  • Art, Technology and Computer Science
    Ascott, Roy. Art, Technology and Computer Science In XLII Esposizione d´Arte: La Biennale di Venezia, edited by Maurizio Calvesi, 187-188. Venezia: Edizione La Biennale, 1986.
  • The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art
    Kluszczyński, Ryszard W.. The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art In Martinis – Observatorium: Video/Audio/Interactive Installations [La Biennale di Venezia. XLVII Esposizione Internazionale d'Arte], edited by
  • Mixed Borders and Hybrid Identities
    ...: Mixed Borders and Hybrid IdentitiesInstitution:...
  • eMoving Stills
    Foto series The mechanics of emotions in photographs 6 photos with subtitles "La Mécanique des émotions" is a great tale of works : performances, installations, sculptures, machines… "eMoving Stills" are like a subtitled film in which the
  • White Cube -
    ... one has to identify the bound...
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