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Matthew Ostrowski
A New York City native, Matthew Ostrowski is a composer, performer, and installation artist. Using digital tools and formalist techniques to engage with quotidian materials -- sonic, physical, and cultural -- Ostrowski explores the liminal space
On sight
1991
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1991
An interactive digital video projection installation 1 large scale projection, colour, silent 10 x 12 x 6 metres The position of the viewer in front of the image controls the activity of the various objects on the screen. At the bottom of the
Hair Salon TV
HAIR SALON TV was the first installation in a series juxtaposing technological icons of the 1950's (associated with women) and video imagery on issues which have been shaped and distorted by electronic communications technologies. In HAIR SALON
Void (Traffic)
2003
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2003
Void transforms the internet traffic through KHM' homepage into sounds and images. The installation provides a spectacular experience of data traffic: a direct, real-time visualisation of the code being executed on the transmediale server. The
me & u
2005
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2005
Me & U Date made: 2005? Materials: responsive, screen-based installation. Other information: Exhibited in a group show at University Galleries. Illinois State University, Illinois, USA. October 28 to December 14, 2005 "me & u" is an interactive
Chromatic Shifts
2013
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2015
video
Chromatic Shifts is a dynamic light installation that explores perceptual changes of shape at a cognitive level. Rhythmic pulses of color illuminate ambiguous and “impossible” shapes as they appear to shift between two and three dimensions.
Alfabeto Suonato
2007
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2007
video
Playing Alphabet is an interactive installation composed of two computer keyboards. All alphabet letters are used to be heard in the same time, all of them are pronounced by male and female artificial voices. The two users can keep quiet or listen
MicroCosm
2021
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2023
A journey into the cosmos, into open endless space, has always attracted scientists and dreamers. Gigantic stars, the milky way, galaxies thousands of light years away surround the earth, and we humans can be imagined as small elementary particles
Janet Cardiff: Forty-Part Motet
2006
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2006
The elegant 19th-century interior of the Rideau Chapel is once again transformed through Janet Cardiff’s extraordinary audio installation Forty-Part Motet, a contemporary reworking of Spem in Alium by the 16th-century composer Thomas Tallis.
NEoN Festival 2017
2017
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2017
including device art, sound, installation art, design, games, moving image, animation, net art and performance. NEoN Festival invites you to examine the origin and understanding of digital arts practice in Asia, against the backdrop of our
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