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  • Brandhorst
  • Prehistoric digital poetry. An archeology of forms 1959-1995
    Funkhouser, C.T.. Prehistoric digital poetry. An archeology of forms 1959-1995. Tuscaloosa: University of Alabama Press, 2007.
  • Featured Artist Lin Pey-Chwen
    Lin Pey Chwen’s oeuvre extends from sculpture to interactive digital installations. Over the course of more than twenty years, her work encompasses a unique approach to media art and technology exploring a critical understanding of contemporary
  • Thinking Machines: Art and Design in the Computer Age, 1959–1989 -
    curators Sean Anderson and Giampaolo Bianconi.
  • Haunting the Movie
    Dove, Toni. Haunting the Movie In New Visions in Performance: The Impact of Digital Technologies, edited by Gavin Carver and Colin Beardon, 195pp.. Lisse: Swets and Zeitlinger Publishers, 2004.
  • Electric Dreams -
    Electric Dreams will bring together an international network of more than 70 artists working between the 1950s and the dawn of the internet age.Liquid Views 1992, an interactive installation by Monika Fleischmann and Wolfgang Strauss, will invite
  • Andreas Müller-Pohle
    Born in Brunswick, Germany, in 1951. Studied economics and communications at University of Hannover and University of Göttingen, 1973-79. Artist and publisher. Editor of European Photography magazine, Göttingen and Berlin, since 1980. 1985-94
  • Manthos Santorineos
    Dr. Manthos Santorineos (Athens Greece 1954) Digital media artist - researcher Emeritus professor at Athens School of Fine Arts Director of FournosLab Co-founder of the Fournos Multivalent Communication Network (1993) and the Mediaterra festival
  • William Kentridge -
    William Kentridge, a native of Johannesburg (b. 1955), is an internationally acclaimed artist whose multimedia works present an arresting and forceful commentary on the contemporary cultural and sociopolitical issues in South Africa. Inspired by
  • Pulse Room - video
    Pulse Room is an interactive installation featuring one to three hundred clear incandescent light bulbs, 300 W each and hung from a cable at a height of three metres. The bulbs are uniformly distributed over the exhibition room, filling it
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