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Magnet
1997
-
1997
... work imagines that o
the
r
for
ces, such as fear or desire,... Artist In Residence at
the
University of Canterbury,...
Suspension
1997
... include computer
for
mats and settings, social... dynamic combinations of
the
real and
the
virtual.
The
y...
Stages Elements Humans
1998
-
1998
... in this space - we are
for
ced to think about
the
... As you enter into
the
space you are confronted with a dramatic and...
William Kentridge
2004
-
2005
... present an arresting and
for
ceful commentary on
the
...
for
ceful commentary on
the
contemporary cultural and...
Robotica - IV: Control Inside
The
Panopticon
2006
-
2008
... patterns we make,
the
for
ces we weave, reveal different... “Robotica: Control inside
the
panopticon” at
The
Victoria And...
leak to lower lazy levitating load, 2008
2008
-
2008
... to eventually act upon
for
ces larger than
the
y are. of water and sits on
the
floor. A very small pump...
Laura Skocek
... interactive sound object
For
ced Leisure was presented at... Having been trained at
the
University of Applied Arts...
Actuated Workbench
2001
-
2002
... that uses magnetic
for
ces to move objects on a table... o
the
rwise arise from
the
computer's inability to...
still living (a, b, e, f, g, h, i, j), 2006
2006
-
2006
... by
the
same internal
for
ces that
the
y are supposed to... algorithm Courtesy:
the
artist This series of...
8520 S.W. 27th Place
2004
-
2004
... system permits external
for
ces to influence each new... W. 27th PL is an installation about
the
pointlessness of our never...
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