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Nested Swallow
1997
6. Nested Swallow. 1997 Paper Size: 42” by 30” Brush and pen plotted drawing
Towards Quantifying Depth and Size Perception in Virtual Environments
1995
Rolland, Jannick and William Gibson. Towards Quantifying Depth and Size Perception in Virtual Environments Presence: Teleoperators and Virtual Environments 4, no. 1 (Winter 1995): 24-49.
"We Have a Situation, Coventry!" - chapter in Virtual Worlds: Concepts, Applications and Future Directions, eds. Liz Falconer and Mari Carmen Gil Ortega
2018
Helen Varley Jamieson and Katherine Wimpenny. "We Have a Situation, Coventry!" - chapter in Virtual Worlds: Concepts, Applications and Future Directions, eds. Liz Falconer and Mari Carmen Gil Ortega. Hauppauge, NY, USA: Nova Publishers, 2018.
Boreas
2007
-
2009
... to the visitors
like
the tentacles of a...
Streaming Conscience
2002
video
Streaming Conscience was created to celebrate Amnesty International’s 40th anniversary. The project enabled the entire content of the Amnesty International website to be presented in a vivid, animated and ever changing stream of information which
Radical Reordering: Bit-size Chunks in the Al Grano Project
2015
Badani, Pat. Radical Reordering: Bit-size Chunks in the Al Grano Project ISEA2015 Proceedings: Bio-Art Proceedings of the 21st International Symposium of Electronic Art, no. ISSN: 2451-8611 / ISBN: 978-1-910172-00-1 (August 2015).
The Value of Experience in Urban Media Art Education: A Full Size Case Study
2016
Event: The Value of Experience in Urban Media Art Education: A Full Size Case StudyInstitution: CATE Roundtable 2016: An Inter-tertiary Symposium on Creative Arts Education in Hong KongComment:
Dogs' Ears
2009
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2009
Dogs’ Ears explored the beauty and language of the dog ear. Presented as a video chat website, visitors logged in, browsed dogs and instant messaged with them online. Each dog responded in its own language, whether with an English ‘woof woof’, a
The Way
1994
video
"The Way" is a 3-D computer animation combined with live video. Depicted are three runners followed by a camera down a foggy street in a small German village. To visualize "The Way", I've inverted the common system of the central perspective.
Raumatmen / wetf(r)iction
2005
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2005
in cooperation with Peter Szely (Sound) --- The inside skin of a space station is enveloped in large size projections. The space station is not comprised of inflexible, rigid material - it is not hardware but wetware - it is a breathing, living
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