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  • (Re)Thinking - the body, generative tools and computational articulation,
    Seaman, Bill. (Re)Thinking - the body, generative tools and computational articulation, Technoetic Arts: A Journal Of Speculative Research 7, no. 3 (2010).
  • Beryl Graham
    Beryl Graham is an artist, curator, writer and educator with a special interest in curating and new media art. She is a Research Professor at the University of Sunderland, and co-founder and co-editor of the website CRUMB, Curatorial Resource for
  • Plot against Time #1 (lower resolution excerpt) -
    "Plot Against Time #1" captures the traces of pigeons and pedestrians on Venice's Piazza San Marco. Each moving thing etches itself across the surface of the image in a golden hue which fades as time passes through a ruddy brown to pure black before
  • ARS MEMORIA: ART, IDENTITY AND LOCATIONAL MEMORY
    Featured this month: ARS MEMORIA: ART, IDENTITY AND LOCATIONAL MEMORY Curated by Dr Shaun Wilson This exhibition presents artwork that incorporates issues of identity by using the image as a mode of articulating, and from this coming to terms
  • Tongues of Fire -
    Film recordings of vibrating flames represent the articulations of speech, based on 19th century manometric flame devices. (source: www.well.com/~demarini)
  • ISMAR 2015 Exhibition: Data Body as Artifact -
    Curator: Julian Stadon
  • VR Webcams: Time Artifacts as Positive Features
    Naimark, Michael. VR Webcams: Time Artifacts as Positive Features In ISEA 2002 Proceedings, Nagoya, Japan: 2002.
  • On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05
    Schulze, Holger. On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05 [].
  • Jean Louis Boissier
    Jean-Louis Boissier, born 1945, professor at Université Paris 8, director of the laboratory Esthétique de l'interactivité. Director and curator of the Biennale Artifices since 1990.
  • der zeresser -
    leo peschta der zermesser, 2007 Robot Der Zermesser is an autonomous object whose purpose is to feel its way around and to articulate the relation between its own form and its surroundings. Each side and each corner are autonomous entities. The
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