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  • Diadrama
    The Diadrama was an audio-visual performance with over 2000 slides being projected onto a large wide screen by three pairs of synchronised slide projectors. The main themes explored in this work were panoramic methods of representation, the collage
  • (Re)Thinking - the body, generative tools and computational articulation,
    Seaman, Bill. (Re)Thinking - the body, generative tools and computational articulation, Technoetic Arts: A Journal Of Speculative Research 7, no. 3 (2010).
  • Beryl Graham
    Beryl Graham is an artist, curator, writer and educator with a special interest in curating and new media art. She is a Research Professor at the University of Sunderland, and co-founder and co-editor of the website CRUMB, Curatorial Resource for
  • Plot against Time #1 (lower resolution excerpt) -
    "Plot Against Time #1" captures the traces of pigeons and pedestrians on Venice's Piazza San Marco. Each moving thing etches itself across the surface of the image in a golden hue which fades as time passes through a ruddy brown to pure black before
  • ARS MEMORIA: ART, IDENTITY AND LOCATIONAL MEMORY
    Featured this month: ARS MEMORIA: ART, IDENTITY AND LOCATIONAL MEMORY Curated by Dr Shaun Wilson This exhibition presents artwork that incorporates issues of identity by using the image as a mode of articulating, and from this coming to terms
  • Tongues of Fire -
    Film recordings of vibrating flames represent the articulations of speech, based on 19th century manometric flame devices. (source: www.well.com/~demarini)
  • ISMAR 2015 Exhibition: Data Body as Artifact -
    Curator: Julian Stadon
  • VR Webcams: Time Artifacts as Positive Features
    Naimark, Michael. VR Webcams: Time Artifacts as Positive Features In ISEA 2002 Proceedings, Nagoya, Japan: 2002.
  • On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05
    Schulze, Holger. On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05 [].
  • Jean Louis Boissier
    Jean-Louis Boissier, born 1945, professor at Université Paris 8, director of the laboratory Esthétique de l'interactivité. Director and curator of the Biennale Artifices since 1990.
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