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Bio-medical Signals in Media Art
2018
Robles, Claudia et al. Bio-medical Signals in Media Art ISEA International Symposium on Electronic Art 2018 (2018): 720-29.
Biomedical Signals in Media Art
2018
Robles-Angel, C. et al. Biomedical Signals in Media Art. Manizales: ISEA, 2018.
Earth Signals
1990
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1990
Event: Earth SignalsInstitution: Omphalos GalleryComment:
An Analysis-Synthesis Approach to the Creative Processing of Video Signals
2012
Villegas, Javier. An Analysis-Synthesis Approach to the Creative Processing of Video Signals https://www.mat.ucsb.edu/Dissertations/JavierVillegas.pdf.
An Analysis-Synthesis Approach to the Creative Processing of Video Signals
2012
Villegas, Javier. An Analysis-Synthesis Approach to the Creative Processing of Video Signals https://www.mat.ucsb.edu/Dissertations/JavierVillegas.pdf.
La restauración del significado. Arte, otra vez
2004
Casares, Nilo. La restauración del significado. Arte, otra vez. Vol.1. 1ª th ed.Valencia, Spain: Institució Alfons el Magnánim, 2004.
Exchanges of eletric human signals and artistic immersive poetics
2005
DOMINGUES, DIANA MARIA G and Günther Johannes Lewckuk GERHARDT. Exchanges of eletric human signals and artistic immersive poetics In Art et Biotechnologies, edited by Louise POISSANT and Ernestine DAUBNERMontréal: Presses de L’Université du
Influence of Neuromuscular Electrical Stimulation on the Conduction Velocity Measured Using EMG Signals Provided by Linear Arrays of Electrodes
2011
Pires, Kenia F and Leina A.B Pimenta and Marcelino M. de Andrade and DIANA MARIA G DOMINGUES and Cristiano MIOSSO and Adson ROCHA. Influence of Neuromuscular Electrical Stimulation on the Conduction Velocity Measured Using EMG Signals Provided by
CTRL [SPACE]
2001
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2002
Rhetorics of Surveillance from Bentham to Big Brother In 1785, the British philosopher Jeremy Bentham (1748-1832), founder of the doctrine of Utilitarianism, began working on a plan for a model prison called the panopticon. The signature feature of
FIELDS 2.1
2012
Fields 2.1 is an attempt to create an illusion of consciousness in non-living matter. A moving eye is a property that allows the viewer to perceive the “inanimate” as the “conscious”. Using magnetic fields and ferrofluid technologies the artists
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