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  • Bichicuchitu - video
    Bichicuchitu” is a 3D computer animation inspired by new debates concerning biological productions that challenge definitions of what’s considered distinct species, calling for a reconsideration of notions on alterity. With the aim of reinterpreting
  • Naimark, Michael. VR Webcams: Time Artifacts as Positive Features In ISEA 2002 Proceedings, Nagoya, Japan: 2002.
  • A-positive
    Kac, Eduardo. A-positive In ISEA ´97 Program Guide, edited by The School of the Art Institute of Chicago, 62. Chicago: ISEA, 1997.
  • Kac, Eduardo. A-positive: Art at the Biobotic Frontier. Chicago: 1997.
  • Guasch, Anna María. El arte último del siglo XX. Del posminimalismo a lo multicultural: 1968-1995. Madrid, Spain: Alianza Forma, 2000.
  • Alcalá Mellado, José Ramón. Gráfica después de la posmodernidad, ¿hacia una gráfica radicante? Estampa 11 , no. 5 and 6 (December 2013): 173-177.
  • Guasch, Anna María. Los manifiestos del arte posmoderno: textos de exposiciones 1980-1995. Madrid, Spain: Akal / Arte Contemporáneo, 2000.
  • Possession -
    Event: PossessionInstitution: Bangkok Art and Culture CentreComment:
  • Ripple -
    "p-Soup" and the forerunner "Ripple" are more formal graphic approaches to the Internet and the computer, using the possibilities of the Internet as an interactive shared space for creating aesthetic experience. (source:
  • Pii - video
    Pii relies on the development of an interactive sculpture by using sets of mirrors, matrices of light and different types of sensors that analyze the environment to computationally generate a light and sound response, there by creating a variable