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Bichicuchitu
2019
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2020
video
Bichicuchitu” is a 3D computer animation inspired by new debates concerning biological productions that challenge definitions of what’s considered distinct species, calling for a reconsideration of notions on alterity. With the aim of reinterpreting
VR Webcams: Time Artifacts as Positive Features
2002
Naimark, Michael. VR Webcams: Time Artifacts as Positive Features In ISEA 2002 Proceedings, Nagoya, Japan: 2002.
A-positive
1997
Kac, Eduardo. A-positive In ISEA ´97 Program Guide, edited by The School of the Art Institute of Chicago, 62. Chicago: ISEA, 1997.
A-positive: Art at the Biobotic Frontier
1997
Kac, Eduardo. A-positive: Art at the Biobotic Frontier. Chicago: 1997.
El arte último del siglo XX. Del posminimalismo a lo multicultural: 1968-1995
2000
Guasch, Anna María. El arte último del siglo XX. Del posminimalismo a lo multicultural: 1968-1995. Madrid, Spain: Alianza Forma, 2000.
Gráfica después de la posmodernidad, ¿hacia una gráfica radicante?
2013
Alcalá Mellado, José Ramón. Gráfica después de la posmodernidad, ¿hacia una gráfica radicante? Estampa 11 , no. 5 and 6 (December 2013): 173-177.
Los manifiestos del arte posmoderno: textos de exposiciones 1980-1995
2000
Guasch, Anna María. Los manifiestos del arte posmoderno: textos de exposiciones 1980-1995. Madrid, Spain: Akal / Arte Contemporáneo, 2000.
Possession
2013
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2013
Event: PossessionInstitution: Bangkok Art and Culture CentreComment:
Ripple
1995
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1995
"p-Soup" and the forerunner "Ripple" are more formal graphic approaches to the Internet and the computer, using the possibilities of the Internet as an interactive shared space for creating aesthetic experience. (source:
Pii
2015
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2015
video
Pii relies on the development of an interactive sculpture by using sets of mirrors, matrices of light and different types of sensors that analyze the environment to computationally generate a light and sound response, there by creating a variable
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