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  • GFP Bunny
    Kasprzak, Michelle. GFP Bunny http://www.digibodies.org/online..
  • Catts, Oron and Stuart Bunt. SymbioticA, The Art and Science Collaborative Research Laboratory / SymbioticA, das kollaborative Forschungslabor für Kunst und Wissenschaft In TAKEOVER: Who's Doing the Art of Tomorrow. Wer macht die Kunst von
  • Bunting, Heath. Heath Bunting Interview www.tate.org.uk/context-comment/video/heath-bunting-interview [05.07.2017].
  • Hirsenfelder, Ida. Heath Bunting: Identity Bureau. Against Residual Self-Image http://www.digicult.it/digimag/issue-072/heath-bunting-identity-bureau-against-residual-self-image/ [05.07.2017].
  • Silence -
    From the entrance into the site, the announcement “Noise = absence of language = silence” warns us that the limits of our understanding will be scrambled and the paths followed will be flavoured with the sweet absurdity of surrealism. Then a thin
  • Facing Data -
    The amazing human ability to get information from faces have been influential to certain visualizations -like Chernoff faces - which explore that perceptual condition to represent data or information. In general, the visualizations using faces work
  • Paradiso is a sketch for an interactive installation, which aims to explore the possibility to translate the experience of flying by using a virtual scene and external input.
  • Buonaiuto, Francesco and Helen Varley Jamieson and Vicki Smith. The Net and the Butterfly, by Francesco , Helen Varley Jamieson and Vicki Smith; International Journal of Performance Arts and Digital Media 10, no. 1 (2014).
  • The MSCRI, Modular Solution for Corridor Reactive Installations is an sketch for a set of solutions to create installations which use real time video as the main input source.
  • Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.