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Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam.
2013
Kronman, Linda and Andreas Zingerle. Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. Interactive Storytelling. Springer International Publishing (2013): 253-256.
ITCH. Individual Technology/Community Hacking
2010
Jihyun Kim and Andres Colubri. ITCH. Individual Technology/Community Hacking. Heidelberg: Kehrer, 2010.
ITCH. Individual Technology/Community Hacking
2010
Jihyun Kim and Andres Colubri. ITCH. Individual Technology/Community Hacking. Heidelberg: Kehrer, 2010.
Diego Caglioni
2012
Perra, Daniele. Diego Caglioni Artribune , no. 9 (September-October 2012).
Arte pós-virtual: criação e agenciamento no tempo da Internetdas Coisas e da próxima natureza(Post virtual: art in the Internet of Things age
2013
Beiguelman, Giselle. Arte pós-virtual: criação e agenciamento no tempo da Internet das Coisas e da próxima natureza (Post virtual: art in the Internet of Things age In Cyber-Arte-Cultura: A trama das redes, edited by Fernando PessoaVol.7....
Searching instead of Finding: The Digital Archive as Find Engine.
2014
Fleischmann, Monika and Wolfgang Strauss. Searching instead of Finding: The Digital Archive as Find Engine. In Futuros Possíveis: Arte, Museus e Arquivos Digitais, edited by Giselle BeiguelmanSão Paulo: Periópolis/ Edusp, 2014.
Possible Futures: Art, Museums and Digital Archives
2014
Beiguelman, Giselle and Ana Gonçalves Magalhães, ed. Possible Futures: Art, Museums and Digital Archives. São Paulo: Peirópolis/ Edusp, 2014.
For an aesthetics of transmission
2006
Beiguelman, Giselle. For an aesthetics of transmission First Monday , no. Special Issue 4 (February 2006).
Copiar é preciso. Inventar não é preciso.
2011
Beiguelman, Giselle. Copiar é preciso. Inventar não é preciso. seLecT 01, no. 01 (August/September 2011): 37-43.
Link-se: arte/mídia/política/cibercultura.
2005
Beiguelman, Giselle. Link-se: arte/mídia/política/cibercultura.. São Paulo: Peirópolis, 2005.
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