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Erzählte Theorie - Multiple Projektion und neue Narration in der Videokunst der 90er Jahre 1999

Weibel, Peter. Erzählte Theorie - Multiple Projektion und neue Narration in der Videokunst der 90er Jahre In Video Cult/ures. Multimediale Installationen der 90er Jahre, edited by Ursula Frohne, 25-37. Karlsruhe, DE: ZKM Karlsruhe, 1999.
CTRL (space): Rhetorics of Surveillance from Bentham to Big Brother 2002

Levin, Thomas Y. and Ursula Frohne, ed. CTRL (space): Rhetorics of Surveillance from Bentham to Big Brother. Cambridge, MA: MIT Press, 2002.
Verlust des Zeugen: Das lebendige Werk 2000

Grau, Oliver. Verlust des Zeugen: Das lebendige Werk In Metamorphosen: Zur Veränderung der Gedächtnismedien im Computerzeitalter, edited by Götz-Lothar Darsow, 101-121. Stuttgart, Bad Cannstatt: Fromann-Holzboog, 2000.
Voyage 1987 - 1987

It takes at least ten years for an idea to go from first appearance in the laboratoy through translation into the consumer world. Voyage is an image signifying the acceleration of this ten year gestation. It is the symbolic description of the
RGB Stratospheric Camarena 2013 - 2015

Video of the launch of a helium ballon to the Stratosphere (20 kilometers high up). The balloon carried a payload with an experiment using 3 black and white video cameras with color filters in front in order to produce a final video in full color.
Foreignness and Translation in New Media 2009

Badani, Pat. Foreignness and Translation in New Media ,http://median.newmediacaucus.org/archives_in_progress/pre_2009_issues/issues.php?f=papers&time=2009_spring&page=front. [24.04.2009].
Art and Telematics: Towards a Network Consciousness / Kunst und Telematik / L´Art et le télématique 1984

Ascott, Roy. Art and Telematics: Towards a Network Consciousness / Kunst und Telematik / L´Art et le télématique In Art + Telecommunication, edited by Heidi Grundmann, 25-67. Vancouver: The Western Front, 1984.
Laboral. feedforward the angel of history 2009 - 2010

FEEDFORWARD – The Angel of History addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces—largely enabled by the “progress” of digital information
Redefinindo fronteiras da arte contemporânea: passado, presente e desafios da arte, ciência e tecnologia na história da arte 2009

DOMINGUES, DIANA MARIA G. Redefinindo fronteiras da arte contemporânea: passado, presente e desafios da arte, ciência e tecnologia na história da arte In Arte, Ciência e Tecnologia: passado, presente e desafios, edited by DIANA MARIA G DOMINGUESSão
recombinant 2006 - 2006

Event: recombinantInstitution: Maison de la Culture FrontenacComment:

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