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Fin Arts – Die feine Kunst und die Kunst der Finanzen 2010

Athanassakis, Irini:. Fin Arts – Die feine Kunst und die Kunst der Finanzen Kunstforum International , no. 200 (2010): 75-78.
Videogames and Art 2006

Clarke, Andy and Grethe Mitchell, ed. Videogames and Art. Bristol: Intellect Books, 2006.
Translation is a mode 2011

Krejs, Christiane, ed. Translation is a mode. St. Pölten: Niederösterr. MuseumbetriebsgesmbH, 2011.
Verzeichnis 2010

Krautgasser, Annja, ed. Verzeichnis. Wien: Schlebrügge Editor, 2010.
Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence 1997

Burton, Ed. Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence Leonardo 30, no. 4 (1997): 301-309.
Control and Freedom: Power and Paranoia in the Age of Fiber Optics 2006

Kyong Chun, Wendy Hui. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: MIT Press, 2006.
Programmed Visions: Software and Memory. Software Studies Series. 2011

Kyong Chun, Wendy Hui. Programmed Visions: Software and Memory. Software Studies Series.. Cambridge: MIT Press, 2011.
Feminism, Culture, and Media Studies: Race and/as Technology 2009

Kyong Chun, Wendy Hui and Lynne Joyrich, ed. Feminism, Culture, and Media Studies: Race and/as Technology. Vol.24. Camera Obscura, Durham, NC: Duke University Press, 2009.
On Sourcery and Daemons, or Code as Fetish 2008

Kyong Chun, Wendy Hui. On Sourcery and Daemons, or Code as Fetish Configurations: the Journal of the Society for Literature, Science, and the Arts , no. 16 (2008): 299-324.
Human-Mediated-Communications 2003

Kyong Chun, Wendy Hui. Human-Mediated-Communications In Reality/Simulacra/Artificial: Ontologies of Postmodernity, edited by Enrique LarrettaRio de Janeiro: Universidade Candido Mendes, 2003.

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