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  • Pixels and Places – Video Art in Public Space
    Schreuder, Catrien, ed. Pixels and Places – Video Art in Public Space. Vol.ISBN 978-90-5662-738-6. 1 th ed.Rotterdam: NAi Publishers, 2010.
  • Featured Artist Jeffrey Shaw
    .. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments..
  • Pixels and Places – Video Art in Public Space
    Schreuder, Catrien, ed. Pixels and Places – Video Art in Public Space. Vol.ISBN 978-90-5662-738-6. 1 th ed.Rotterdam: NAi Publishers, 2010.
  • Thinking Through Digital Media - Transnational Environments and Locative Places
    Hudson, Dale and Patricia Zimmermann, ed. Thinking Through Digital Media - Transnational Environments and Locative Places. New York: Palgrave Macmillan, 2015.
  • Non-Places: An Introduction to Anthropology of Supermodernity
    Augè, Mark. Non-Places: An Introduction to Anthropology of Supermodernity. London/New York: Verso, 1992.
  • THE THIRD EYE, PERFORMANCES, PEOPLE AND PLACES -
    Event: THE THIRD EYE, PERFORMANCES, PEOPLE AND PLACESInstitution: Art in GeneralComment:
  • Decision Value -
    There are several places at which the density of crucial decisions is rather high. In Paris, I observed the emblematic buildings of the stock exchange (Bourse), the parliament (Assemblée Nationale), the high court (Palais de Justice), an airport
  • entre-deux video
    Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive
  • Photosynthetic Me - video
    Photosynthetic Me is a bioart, interactive and Immersive installation that emerges from a process-based experiment around the topic of becoming plant-like. In the project, a biotechnologist activates a photosynthetic system in a situation of altered
  • entre-deux video
    Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive
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