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  • Laura Dekker
    Laura Dekker’s research-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselves and our world. She explores these ideas through interactive installations, combining
  • Evolution and Optimization of Digital Organisms
    Ray, Tom. Evolution and Optimization of Digital Organisms In Scientific Excellence in Supercomputing: The IBM 1990 Contest Prize Papers, Athens, GA, 30602, edited by Billingsley K. R. and E. Derohanes and H. Brown, 489-531. : The Baldwin Press,
  • Sensible Concepts: Mediation as a Way of Being -
    We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of
  • Timeless Universe -
    Timeless Universe 2006 Valencia 17 May - 9 July . Sala Parpallo the leading art gallery of Valencia hosts the largest one man show to date of Paul Friedlander's work including the major new installation, Timeless Universe. Waves of Possibility
  • Jenny Holzer
    Jenny Holzer was born in Gallipolis, Ohio, in 1950. She received a BA from Ohio University in Athens (1972); an MFA from the Rhode Island School of Design, Providence (1977); and honorary doctorates from the University of Ohio (1993), the Rhode
  • Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
    Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: City University Hong KongComment:
  • Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
    Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: Art Machines: International Symposium on Computational Media ArtComment:
  • kondition pluriel
    kondition pluriel is an interdisciplinary digital performance group founded by choreographer Marie-Claude Poulin and media artist Martin Kusch in 2000. Integrating body-based performance and digital arts, the artists generate a language outside of
  • Invisible Cantilever -
    This project considers the distance between the viewer and what is being viewed. How does technology alter our perceptions of distance, scale, and structure? Technologies for viewing continue to evolve, from the camera obscura to the telescope to
  • Nano-Scape - video
    This nano-scale sculpture is invisible, just like the Nano-world it comments about. While science and media try to capture images of these tiniest of particles in order to understand their properties, Nano-Scape tries to make this Nano-world
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