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  • Digital technology has become a medium that has redefined the arts broadening horizons and changing practices. The works in this exhibition explore interactivity and the possibilities opened up by multimedia and electronic technologies to create
  • A [hidden] transmission device, using Bluetooth protocols, continually searches for visible and open devices (mobile phones, laptops, PDAs etc) within an area. On discovering an open device, a simple message is sent, reading: “I am still alive”*. I
  • UCL Environment Institute, ed. Data Soliloquies. London: Slade Press, 2010.
  • Callanan, Martin John. Text Trends. London, England: Merkske Books, 2010.
  • All Changes Saved -
    Tots els canvis s’han desat (All Changes Saved) Aram Bartholl, Clara Boj + Diego Díaz, Martin John Callanan, Olia Lialina, Kyle McDonald, Román Torre + Ángeles Angulo, Carlo Zanni Curated by Pau Waelder Casal Solleric, Palma (Spain) September 21,
  • “Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
  • Sensity -
    Sensity is part of "The Emergent City" series of works by Stanza. Artworks monitoring the real time interactive city using wireless sensors. If you are interested in exhibiting this artwork get in touch. I am available to visit your city to take
  • “Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser