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  • Manovich, Lev and Andrea Zapp. Computerisation and Film Language In New Screen Media. Cinema/Art/Narrative, edited by Martin RieserLondon, Karlsruhe: BFI London and ZKM Karlsruhe, 2002.
  • Zapp, Andrea. Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language In Computer Art Faszination, edited by Gerhard Dotzler, 236. Frankfurt/Main: Dr. Dotzler Medien Institut, 1993.
  • Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
  • Legrady, George. Images, Language and Belief in Synthesis In Critical Issues in Electronic Media, edited by Simon Penny: SUNY Press, 1995.
  • Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2003: Code -The Language of our Time. Ostfildern-Ruit: Hatje Cantz, 2003.
  • Kac, Eduardo, ed. New Media Poetry: Poetic Innovation and New Technologies. Vol.30. Visible Language, Rhode Island: Rhode Island School of Design, 1996.
  • Manovich, Lev. The Language of New Media. Cambridge, MA: MIT Press, 2001.
  • Known for her theories on playculture, activist design, and critical play, Mary Flanagan has achieved international acclaim for her novel interdisciplinary work, her commitment to both theory and practice, and her ongoing pioneering contributions to
  • 1973 first video experiments; in the 1980s starts a video program at the Cornish College of the Arts; since 1985 lives in Seattle (USA). Gary Hill is one of the most important contemporary artists investigating the relationships between words,
  • Rejane Cantoni and Leonardo Crescenti based in São Paulo, have worked together as an artist duo since 2005. They have held numerous exhibitions in art institutions worldwide, including Ars Electronica in Linz, Berlin and México City, The Creators