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What's next? Kunst nach der Krise
2013
Hedinger, Johannes and Thorsten Meyer, ed. What's next? Kunst nach der Krise. Berlin: Kulturverlag Kadmos, 2013.
Fin Arts – Die feine Kunst und die Kunst der Finanzen
2010
Athanassakis, Irini:. Fin Arts – Die feine Kunst und die Kunst der Finanzen Kunstforum International , no. 200 (2010): 75-78.
Videogames and Art
2006
Clarke, Andy and Grethe Mitchell, ed. Videogames and Art. Bristol: Intellect Books, 2006.
Translation is a mode
2011
Krejs, Christiane, ed. Translation is a mode. St. Pölten: Niederösterr. MuseumbetriebsgesmbH, 2011.
Verzeichnis
2010
Krautgasser, Annja, ed. Verzeichnis. Wien: Schlebrügge Editor, 2010.
Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence
1997
Burton, Ed. Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence Leonardo 30, no. 4 (1997): 301-309.
Control and Freedom: Power and Paranoia in the Age of Fiber Optics
2006
Kyong Chun, Wendy Hui. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: MIT Press, 2006.
Programmed Visions: Software and Memory. Software Studies Series.
2011
Kyong Chun, Wendy Hui. Programmed Visions: Software and Memory. Software Studies Series.. Cambridge: MIT Press, 2011.
Feminism, Culture, and Media Studies: Race and/as Technology
2009
Kyong Chun, Wendy Hui and Lynne Joyrich, ed. Feminism, Culture, and Media Studies: Race and/as Technology. Vol.24. Camera Obscura, Durham, NC: Duke University Press, 2009.
On Sourcery and Daemons, or Code as Fetish
2008
Kyong Chun, Wendy Hui. On Sourcery and Daemons, or Code as Fetish Configurations: the Journal of the Society for Literature, Science, and the Arts , no. 16 (2008): 299-324.
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