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  • Third Person -
    Third Person is the second piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny words that are in fact all the verbs of the dictionary
  • This piece was created as an interactive 'virtual gallery' in which the user can explore a computer rendition of the gallery in which the computer is housed. It is also possible to depart this space and enter into a number of fantasy spaces,
  • This experimental animation approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing
  • The Last Supper v02 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1994 Victor: Here is my favorite iteration of a piece that was
  • Reid, Robert. ArchitectsBeobachters: 1,000 Days that Built the Future of Business. Hoboken, NJ: Wiley and Sons, 1997.
  • Shanken, Edward. The House that Jack Built: Jack Burnham´s Concept of `Software` as a Metaphor of Art Leonardo Electronic Almanac 6, no. 10 (November 17th 1998).
  • Three inflatable pavilions, Information Pavilion, Video Studio and Auditorium, were commissioned and developed specially for the international outdoor art exhibition Sonsbeek Buiten de Perken. The Information Pavilion was an air-supported hemisphere
  • Three inflatable pavilions, Information Pavilion, Video Studio and Auditorium, were commissioned and developed specially for the international outdoor art exhibition Sonsbeek Buiten de Perken. The Video Studio was a PVC tensile skin stretched over
  • Bula, Frances. “Art Beyond Stereotypes: Are suburbs the next great creative frontier?" Literary Review of Canada (April 2014): http://reviewcanada.ca/magazine/2014/04/art-beyond-stereotypes/.
  • Hauser, Jens. Disentangling Aliveness, Naturalness and Greenness In The New State of The Living, edited by Dmitry BulatovPerm: The Museum of Contemporary Art PERMM, 2019.