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  • Contre Temps -
    When Olga Kisseleva was invited to do a performance at Louvre Lens, she analyzed the layout of the museum. The Louvre Lens building, which is made up of several elongated and slightly curved modules, seems both open (to viewing, to interpretation,
  • Plane -
    Three destinations host this performance, which consists of producing the same “micro-action” of throwing a paper plane. A video relates the stages of these initiation voyages to a Stalin- era building in Moscow, to the Grand Canyon in Arizona and
  • San Marco Flow -
    "San Marco Flow" layers all the actions of people and pigeons on Piazza San Marco in Venice into a pair of evolving images representing two views of the recent history of activities there. The images are, in effect, lit by animate presence; things
  • Park View Hotel -
    Park View Hotel stretches between the Cesar Chavez plaza in downtown San Jose and the neighbouring Fairmont Hotel. Using specially-built pointing devices, audiences in the park can access interior hotel spaces, by "pinging" them optically. Once
  • Strauss, Wolfgang and Fleischmann,Monika. Performing the Archive: Building Knowledge Space [].
  • Tice, Steve and Linda Jacobson. The Art of Building Virtual Realities In Cyberarts: Exploring Art and Technology, edited by Linda JacobsonSan Francisco, CA: Miller Freeman Inc., 1992.
  • Simon Jr., John F.. Building Process Millennium Film Journal , no. 27 (Winter 1994): 37-45.
  • Gauthier, Jean-Marc. Building Interactive Worlds in 3D: Virtual Sets and Pre-visualization for Games, Film & the Web. Burlington,MA/Oxford(UK): Focal Press, 2005.
  • Türk, Annemarie. 20 Years: KulturKontakt Austria – Artists in Residence: Launching Careers, Building Cooperation Vienna: KulturKontakt Austria (2012).
  • The computerised light installation 'Dialogue in Transition' employs the transitory character of the 110-meter-long “netwalk” of the EnBW building in Stuttgart, which connects all parts of the complex. Twelve 35 cm-high light sticks with white LEDs