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Augmenting Ecological AestheticsJulian Stadon on Interfacing TeleAgriCultures, Riverbank Buffets and Microbes
2021
Stadon, Julian. Augmenting Ecological Aesthetics Julian Stadon on Interfacing TeleAgriCultures, Riverbank Buffets and Microbes Versorgerin Zeitung der Stadtwerkstatt 131, no. ,, (September 2021): ...
Augmenting Ecological AestheticsJulian Stadon on Interfacing TeleAgriCultures, Riverbank Buffets and Microbes
2021
Stadon, Julian. Augmenting Ecological Aesthetics Julian Stadon on Interfacing TeleAgriCultures, Riverbank Buffets and Microbes Versorgerin Zeitung der Stadtwerkstatt 131, no. ,, (September 2021): ...
Air-Liquid Display Sculpture
1982
Between two sheets of perspex, 32 channels have been woven out of a transparent plastic tubing. Extending approx. 30m, these channels run from the outside of the building, over and through te front entrance, and thenm along the ceiling of the foyer
Power and Water
1992
The installation included a custom-designed robotic painting machine, large hand-painted images, and several images painted with the robot. All images were from events surrounding the building of the Los Angeles Aqueduct between 1906-13.
The Able Skin
1997
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1997
"The Able Skin" is a media structure designed by architect Emilio López-Galiacho to hide any emblematic building that is not allowed to have a natural death, that is kept alive artificially through restoration, citation and simulation. A virtual
Architext
1992
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1992
video
Large LED alphanumeric units are mounted in a 13 x 9 grid on the stage tower of this theater. Like a conventional news sign textual information is scrolled through these elements, but because the alphanumeric units are spaced far apart, the
Displaced Emperors
1997
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1997
video
Relational Architecture 2 "Displaced Emperors" was the second relational architecture project of Rafael Lozano-Hemmer. This installation used an "architact" interface to transform the Habsburg Castle in Linz, Austria. Wireless 3D sensors
Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion.
2000
Fleischmann, Monika and Wolfgang Strauss. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Kaleidoskopien, Theatralität, Performance, Medialität. Institut für Theaterwissenschaft der Universität Leipzig, no.
Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion.
2000
Fleischmann, Monika and Wolfgang Strauss. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Kaleidoskopien, Theatralität, Performance, Medialität.
FIELDS 2.1
2012
Fields 2.1 is an attempt to create an illusion of consciousness in non-living matter. A moving eye is a property that allows the viewer to perceive the “inanimate” as the “conscious”. Using magnetic fields and ferrofluid technologies the artists
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