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  • “Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
  • The goal was to save video material threatened with disappearance and to rescue forgotten material. The project succeeded in retrieving a large number of videos from the 1960s and 1970s, believed lost, from artists, estates, and museum storerooms;
  • Kunstfrühling 2014 -
    ... Variationen Die Installation setzt sich mit der...
  • Event: The Discreet Charm of TechnologyInstitution: ZKMComment:
  • Digital Art Works -
    Event: Digital Art WorksInstitution: ZKMComment:
  • Event: ZKM_Gameplay (start new game!)Institution: ZKMComment:
  • Event: ZKM_Gameplay (restart the game!)Institution: ZKMComment:
  • GLOBALE: Infosphere -
    Curator: Peter Weibel
  • “Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser
  • This exhibit displays art whose basic media consists of machinery, electronics or electronic media. These works are acts of conversation, with many different connections – a condensing process in space and time. Themes presented by active artists of