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PAAL, StefanKAMMÜLLER, ReinerFREISLEBEN, BerndA Cross-Platform Application Environmentfor Nomadic Desktop Computingpublished on netzspannung.org:http://netzspannung.org/about/mars/projects/pdf/awake-2004-7-en.pdf14 March 2005First published: Proc
2004
Paal, Stefan et al. PAAL, Stefan KAMMÜLLER, Reiner FREISLEBEN, Bernd A Cross-Platform Application Environment for Nomadic Desktop Computing published on netzspannung.org: http://netzspannung.org/about/mars/projects/pdf/awake-2004-7-en.pdf 14 March
Freizone Dorotheergasse
1988
-
1988
Event: Freizone DorotheergasseInstitution: Galerie MetropolComment:
Risba/Drawing
2007
Frelih, Črtomir. Risba/Drawing Gallery ZDSLU. Ljubljana: Ljubljana Fine Artists Society (2007).
CrayVox in Space(d) Art out of Place Biennale
2012
Event: CrayVox in Space(d) Art out of Place BiennaleInstitution: Fremantle Art CenterComment:
Das Fremde und das Eigene - Globalisierung der Kulturen : Nam June Paik: Fluxus und Video-Skulptur
2002
Paik, Nam June and Gottlieb Leinz and Christoph Brockhaus. Das Fremde und das Eigene - Globalisierung der Kulturen : Nam June Paik: Fluxus und Video-Skulptur. Duisburg, DE: Stiftung Wilhelm Lehmbruck Museum, 2002.
Das Fremde und das Eigene - Globalisierung der Kulturen
2002
-
2002
Event: Das Fremde und das Eigene - Globalisierung der KulturenInstitution: Festivalbüro der Stadt Duisburg (Duisburger Akzente)Comment:
Nathalie Fougeras
Artist multimedia. Nathalie Fougeras is a french-swedish artist working with multimedia art Media Art. http://cargocollective.com/nathaliefougeras/Nathalie-Fougeras
French Kiss from a No Man´s Land
1991
Lamoureux, Johanne. French Kiss from a No Man´s Land Arts Magazine 65.6 (1991): 48-54.
Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought
1994
Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley, CA: University of California Press, 1994.
Creating the World out of the Human Brain
2018
Event: Creating the World out of the Human BrainInstitution: French consulate of Hong KongComment:
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