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  • Pinches Pelos Dodger -
    Installation, human hair coated with platinum film and engraved with a focused ion beam, test tube, illuminated electron-microscope duratrans print, metal frame, certificate
  • Birth of Eve Clone P -
    The Birth of Eve Clone P is a large-scale projection installation of three Eve Clone images. It shows Eve Clone being placed in a test tube. There, she is slowly cultivated, changing from a draft to a digital wireframe and finally a metallic
  • Bifurcation, Shadow Object 2, 2012 Computer, kinect, projector, metal, motor, arduino processor, fumigated wood 175 x 122 cm Ed. 1/6 +1AP A small Y-shaped branch, similar to a divining rod, is suspended from a thread and moves with the air flow
  • "Cardinal Directions," 2010 Surveillance monitor, embedded computer, infrared sensors, robotic actuator, slip ring, stainless steel support, custom software, metal certificate 51.1" x 11.8" x 11.8" / 130 x 30 x 30 cm, free-standing sculpture edition
  • A time-based work on decay and energy presented in 6 museum vitrines arranged in a triangle, containing 3 alchemical flasks of acid, alakaline and base each with 3 rods of copper, iron and aluminium connected to 3 old IBM Dos computers, their
  • part of the MuuMedia Festival
  • Stoichita, Victor. Das selbstbewußte Bild: Vom Ursprung der Metamalerei. München, DE: Wilhelm Fink Verlag, 1998.
  • Brown, Paul. Metamedia and Cyberspace: Advanced Computers and the Future of Art, Technology and Creativity In Culture, Technology and Creativity, edited by Philip HaywardLondon: John Libbey and Arts Council, 1990.
  • Event: Metamorf - 2016 - Nice to be in OrtbitInstitution: Trondheim Electronic Arts CenterComment:
  • Grau, Oliver. Verlust des Zeugen: Das lebendige Werk In Metamorphosen: Zur Veränderung der Gedächtnismedien im Computerzeitalter, edited by Götz-Lothar Darsow, 101-121. Stuttgart, Bad Cannstatt: Fromann-Holzboog, 2000.