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  • Subtle Technologies 2007
    in situ. art, body, medecine.
  • Syracuse Tree -
    PERMANENT IN-SITU INSTALLATION
  • Du sonore et du visuel 2 -
    Event: Du sonore et du visuel 2Institution: Galerie In Situ / Fabienne LeclercComment:
  • "Beautiful Obsolescence" - EX SITU CONSERVATION: Colony Relocation for Electronic Detritus -
    Event: "Beautiful Obsolescence" - EX SITU CONSERVATION: Colony Relocation for Electronic DetritusInstitution: THE CLUSTER GALLERYComment:
  • Convulsive Tropical Beauty -
    Beleza Convulsiva Tropical discute a tensão entre natureza e cultura, o informal e o formal, as situações de enfrentamento entre controle e descontrole que se emaranham à história cultural e urbana do Brasil. Aqui os trópicos são entendidos como uma
  • Viewfinder
    “Viewfinder” is a novel method for users to spatially situate, or “find the pose,” of their photographs, and then to view these photographs, along with others, as perfectly aligned overlays in a 3D world model such as Google Earth. Our objective is
  • Brian Mackern
    Brian Mackern (Uruguay) is a new media artist, developer and designer of digital and hybrid net based art projects since 1995. Musician, composer and developer of autogenerative and reactive sound visual structures and environments. His art practice
  • Utopías del arte tecnológico. Un análisis de la situación, cincuenta años después
    Alcalá Mellado, José Ramón and Vicente Jarque. Utopías del arte tecnológico. Un análisis de la situación, cincuenta años después Artnodes. Revista de arte, ciencia y tecnología , no. 13 (2013): 4-15.
  • la huella -
    la huella, 2010 iMac, Quartz Composer, microphone, projector, 200 x 150 cm La huella is a generative work that evolves in a loop of creation, adaptation and destruction. It is a reflection on survival and evolution in nature, a neverending
  • Éphémère - video
    Ephémère is iconography evolved through Davies' long-standing practice as a painter, and, as in Osmose, is grounded in 'nature' as metaphor: archetypal elements of root, rock, and stream etc. recur throughout. In Ephémère however,
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