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  • Unlooping Film | Cinema sem Volta -
    Unlooping Film | Cinema sem VoltaArtist: Giselle BeiguelmanComment:
  • Post Cinema 360° -
    Between December 2011 & March 2013 several projects have been developed and workshops have been given on 360 degree panoramic video technology. Within these projects and workshops the following topics have recieved attention: 1. alternative methods
  • Mission to Earth (Soft Cinema Edition)
    Computer-driven media installation, custom movie generating software, database of video clips, variable configurations. Source: Lev Manovich
  • Global User Interface (Soft Cinema Edition)
    Computer-driven media installation with variable narratives and spatial configurations. Source: Lev Manovich
  • Little Movies -
    "Little Movies" is a lyrical and theoretical project about the aesthetics of digital cinema, and a eulogy to its earliest form--QuickTime. The project began in 1994 when the World Wide Web was just beginning to gain mass exposure. Manovich's
  • Once Upon A Time...We Live Happily Ever After
    In 1977 Marga Adama, John Munsey and Jeffrey Shaw established Javaphile Productions. Other artists then joined the core members in the group’s various works. Its main activity was the creation of ritual performances that had a strong affinity with
  • Asemic cinema/Asemic conference (subtitled) -
    Asemic cinema/Asemic conference (subtitled)Artist: Francesco AprileComment:
  • Constanze Ruhm
    Filmmaker, visual artist and curator, working with video, photography, installation and commissions for public spaces. Her work focuses on the relation of cinema and New Media with an emphasis on notions of identity, representation and (feminist)
  • Intersecting the Virtual and the Real: Space in Interactive Media Installations
    Legrady, George. Intersecting the Virtual and the Real: Space in Interactive Media Installations Wide Angle (Digital and the Memory of Cinema) 21, no. 1 (2001): 104-113.
  • La vie revée de la technologie
    Beloff, Zoe. La vie revée de la technologie Trafic, revue de cinéma 30 (Summer 1999): 84-91.
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