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  • Documentary
  • Fernando Velázquez is an artist, curator and educator. His practices are developed in the context of art, science and technology, with an interest in the mediation of perception by technical devices. He is particularly interested in topics such as
  • Lenticular Bicycle is the first sculpture in the series to use human energy. The pedal-powered movie references the ingenuity and resourcefulness of the hacked bicycles that are roughly converted for use in family businesses throughout Southeast
  • Triennale di Milano VISIONI DIGITALI: FUTURE CINEMA - TRAILER Special Guest Incontro con Maurice Benayoun new media artist Anteprima Computer Animation Festival - SIGGRAPH 2008
  • SIMULACRA
    interactive video installation / analogue mental cinema
  • This fiction informs the audience about rising sea levels due to global warming and how urban populations will cope with it. This experimental form of tactical transmedia fiction was told by actors and narrative devices staged over the Internet and
  • The Image Mill is a public sculpture that uses the force and beauty of falling water as the energy to create a moving picture. As water falls over the giant wheel, a transmission assembly causes two disks to spin in opposite directions. On the
  • The silhouettes of the ancient art of Shadow Play are achieved by light penetrating a translucent screen, and this sculpture uses the rotation of the windmill as the power to generate the backlight for the presentation. Additionally, the wind turns
  • The Dual is an optical illusion in which two disks rotate in opposite directions; the front disk is black with slits that act as a shutter, the rear disk contains the animation frames. When the disks spin, the animation is visible. In this artwork,
  • This series of artworks contemplates the screen and its origins. My time in the villages of Southeast Asia has shown me an array of organic resources that can be formed into papers. I've researched naturally-occurring translucent materials and have