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Super Cilia Skin
2002
-
2003
Super Cilia Skin is a multi-modal interactive interface, conceived as a computationally enhanced membrane coupling tactile-kinesthetic input with tactile and visual output. An array of individual actuators (cilia) use changes in orientation to
ARTE DIGITAL Y VIDEOARTE: TRANSGREDIENDO LOS LÍMITES DE LA REPRESENTACIÓN
2020
Donald Kuspit and Lourdes Cilleruelo and Félix Duque and William V. Ganis and Van Van Proyen and Peio H. Riaño, ed. ARTE DIGITAL Y VIDEOARTE: TRANSGREDIENDO LOS LÍMITES DE LA REPRESENTACIÓN. Madrid: Circulo de Bellas Artes, 2020.
QUARXS
1994
Event: QUARXSInstitution: CINANIMA, Jose Abel Award EspinhoComment:
En cinco minutos
1996
-
1996
Event: En cinco minutosInstitution: Sala de exposiciones FE.VE.SA.Comment:
Parallel, 2011
Event: Parallel, 2011Institution: Zona Cinco Photography InstituteComment:
EX5 cinco años de arte electrónico y experimental
2019
-
2019
Event: EX5 cinco años de arte electrónico y experimentalInstitution: EX asociación de arte electrónico y EXperimentalComment:
Cine del “postubo” en la era del fin de lo virtual
2014
Beiguelman, Giselle. Cine del “postubo” en la era del fin de lo virtual In El cine hace escuela, edited by Jorge La Ferla and Luis Alberto Quevedo, 183-191. Buenos Aires: Fundacion Telefonica, 2014.
El error en los aparatos audiovisuales como posibilidad estética
2014
and Alejandro Schianchi. El error en los aparatos audiovisuales como posibilidad estética. : Universidad del Cine / Elaleph.com, 2014.
Pneutube
1968
-
1968
A large transparent inflatable tube the public could enter and which, depending on the context of presentation, functioned as an expanded cinema and performance environment, playful interactive space an
d arc
hitectual corridor.
Soft Cinema
2002
-
2003
video
Initiated by Lev Manovich in 2002, Soft Cinema project mines the new creative possibilities at the intersection of cinema, software culture, an
d arc
hitecture. Its manifestations include computer-driven installations and films, architectural designs,
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