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Eduardo Kac: Living Works 2011 - 2011

Collaboration: Parco Arte Vivente, Centro d'Arte Contemporanea and Castello di Rivoli, Torino, Italy
2020 “ART WOMEN International Exhibition”, PPLG, Italy 2020 - 2020

2020 “ART WOMEN International Exhibition”, PPLG, Italy
Mary Flanagan

Known for her theories on playculture, activist design, and critical play, Mary Flanagan has achieved international acclaim for her novel interdisciplinary work, her commitment to both theory and practice, and her ongoing pioneering contributions to
Yiannis Melanitis

Yiannis Melanitis is a conceptual interdisciplinary artist working in the realms of body, performance, digital media and bioart. He study Painting, Sculpture and holds a Masters degree in Digital Arts from Athens School of Fine Arts. He is lecturer
2017 ” GZ-Venice” Parallel Exhibition of Venice Biennale, Venice, Italy 2017 - 2017

2017 ” GZ-Venice” Parallel Exhibition of Venice Biennale, Venice, Italy
Sara Damiani

I'm a researcher at the University of Bergamo (Italy). My main areas of research are the connections between art history practices, visual culture, and the digital media.
Seeing Double 2008 - 2008

The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."
VRE22 Virtual Reality Experience, AR show at MEET Digital Culture Center, Milano, Italy 2022 - 2022

Event: VRE22 Virtual Reality Experience, AR show at MEET Digital Culture Center, Milano, ItalyInstitution: Virtual Reality Experience 2022Comment:
Sommerer, Christa, "Re-Evaluating Interactive Art", Lecture at Master in Interactive Arts - MIA, Università IUAV di Venezia, (Italy), 20.10.2013 2013 - 2013

Event: Sommerer, Christa, "Re-Evaluating Interactive Art", Lecture at Master in Interactive Arts - MIA, Università IUAV di Venezia, (Italy), 20.10.2013Institution: Università Iuav di VeneziaComment:
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts 2015 - 2015

“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new

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