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  • YouTube: time -
    Time in Internet era is a flux of data, instead hands of a clock or sand in a hourglass, beat time is given by the number of informations that we receive and broadcast. Here’s how the characteristic red bar of YouTube becomes a piece of a “digital
  • In a public exhibition space (Art Basel Unlimited), von Bismarck spent a week on a paraboloid-shaped cement disc, which rotated around its own axis at a speed of fifteen revolutions per minute. He slept, ate, read, and talked on the telephone while
  • 2015 L'Art et le Numérique en Résonance 1/3, Convergence (15th January - 4th April 2015) at the Maison Populaire de Montreil Curator: Dominique Moulon Artists: Samuel Bianchini, Marie-Julie Bourgeois, Emilie Brout & Maxime Marion, Patra Cortright,
  • 2012 SHOW OFF LAB’ Edition 2012 (during the FIAC in Paris, October, 17th-21st 2012) Artists: Joseph Nechvatal, Pascal Dombis, Grégory Chatonsky, Miguel Chevalier, France Cadet, RYBN, Lydia Venieri, Julien Levesque, David Guez, Marika Dermineur &
  • Curator: José Ramón Pérez Ornia; Artists: Marina Abramovic, Chantal Akerman, Max Almy, Julián Álvarez, Richard Angers, Ida Applebroog & Beth B, Eugènia Balcells, Irit Batsry, Robert Breer, Brothers Qualy (Stephen y Timothy Quay), Carl Browm, Robert
  • Landscape Painting shows painted landscapes—a desert scene with cacti and rocks and a jungle scenario. The artist traveled to two locations in Mexico, where he selected an appropriate segment of land and organized a team of local helpers. He paid
  • “The Ten Commandments was renowned for the massive set constructed in California's Guadalupe-Nipomo Dunes -- some pieces stood over 30 metres tall. Worried that rival film studios might use the facsimiles of an ancient palace, massive Pharaoh
  • CRISPR-Cas9 is contrasted with Nude in box-reclining (1962) and Sand Dune Nude (1967) by Ruth Bernhard and Dix Rayogrammes de Man Ray et un Texte de Pierre Bost by Man Ray (1931).
  • Jürgen Trautwein is a German born interdisciplinary artist working in a variety of forms, including new media and hypertext web-works, performative temporary interferences, installations, land-art, sound art, animation and classical forms such as
  • Sand, Michael. Who´s Afraid of Cyberspace Tate: The Art Magazine 6 (Summer 1995): 36-39.