Archive Search

  • Weibel, Peter. Das Rauschen des Beobachters In Mythos Information. Welcome to the Wired World., edited by Karl Gerbel and Peter Weibel, 8-23. Wien, New York: Springer Verlag, 1995.
  • Sommerer, Christa. Interactive Art: Where Are We Now? In CyberArts2002, Vol.Hatje Cantz Verlag. , 70-75. Ostfildern-Ruit: Hantje Cantz Verlag, 2002.
  • Huang, Jeffrey. Smart Offices In Toward a Smart Environment, edited by M. L. ChiuTaipei: Garden City Publishing, 2005.
  • Baumgärtel, Tilman. Media Online In Art Meets Media: Adventures in Perception, , 138ff. Tokyo: NTT Publishing Co., 2005.
  • GUISE
    Willet, Jennifer and Diyan Achjadi. GUISE. Québec: Articule Artist Run Centre Montréal, 2001.
  • Cilleruelo, Lourdes. Lo digital en el arte. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2008.
  • Ray, Tom. Evolution and Optimization of Digital Organisms In Scientific Excellence in Supercomputing: The IBM 1990 Contest Prize Papers, Athens, GA, 30602, edited by Billingsley K. R. and E. Derohanes and H. Brown, 489-531. : The Baldwin Press,
  • Barry, Nora. Digital Shanachies In Ars Electronica 2001, edited by Gerfried Stocker and Christine Schöpf, 102-106. New York, Wien: Springer, 2001.
  • Stone, Allucquére Rosanne. Virtual Systems In Zone 6: Incorporations, edited by Jonathan Crary and Sanford KwinterCambridge, MA: The MIT Press, 1993.
  • Berlot, Uršula. Biomimesis and Contemporary Art Journal for Critique of Science, Imagination and New Anthropology. Ljubljana: Študentska založba XXXIX, 2011, no. 244 (2011).