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  • EVL: Alive on the Grid
    Sandin, Dan. EVL: Alive on the Grid In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer Verlag, 2001.
  • Susan Collins
    Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery
  • [ epidemiC]
    [epidemiC] is a network of people working in sectors as diverse as art, computer science, anthropology, communication, history, and economy. [epidemiC] explores the phenomena arising from the intrusion of computer science's cultural behaviors into
  • L´immagine multimediale
    Marini, Daniele. L´immagine multimediale. München: Addison-Wesley, 2001.
  • Code. X: Genome (Review)
    Princenthal, Nancy. Code. X: Genome (Review) Art in America (February 2001).
  • Collaborative Control of Robot Motion: Robustness to Error
    Goldberg, Ken and Billy Chen. Collaborative Control of Robot Motion: Robustness to Error In IEEE/RSJ International Conference on Robots and Systems, : 2001.
  • Driessens & Verstappen
    The Amsterdam based artist couple Erwin Driessens (1963 Wessem) and Maria Verstappen (1964 Someren) have worked together since 1990. After their study at the Maastricht Academy of Fine Arts and the Rijksacademy Amsterdam, they jointly developed a
  • Kunst und Biomasse: Zur Verschränkung von Biotechnologie und Medienkunst in den 90er Jahren
    Reichle, Ingeborg. Kunst und Biomasse: Zur Verschränkung von Biotechnologie und Medienkunst in den 90er Jahren Kritische Berichte 1 (2001): 23-33.
  • Hasengrün - Die Gentechnik und ihre Symbole
    Müller-Jung, Joachim. Hasengrün - Die Gentechnik und ihre Symbole Frankfurter Allgemeine Zeitung (January 13th 2001).
  • Nowe obrazy z zycia: Rzeczywistosc wirtualna, sztuka genetyczna i transgeniczna
    Grau, Oliver. Nowe obrazy z zycia: Rzeczywistosc wirtualna, sztuka genetyczna i transgeniczna Kwartalnik filmowy 35-36, no. XXI (2001): 108-119.
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