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Estética, Ciência y Tecnología, creaciones electrónicas y numéricas. 2005

GARCIA, Iliana Hernández and Edmond Couchot and Simone Michelin and et al., ed. Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.. Bogotá: Editorial pontifícia Universidad Javeriana, 2005.
Estética, Ciência y Tecnología, creaciones electrónicas y numéricas. 2005

GARCIA, Iliana Hernández and Edmond Couchot and Simone Michelin and et al., ed. Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.. Bogotá: Editorial Pontifícia Universidad Javeriana, 2005.
Un ponto de ironia 2011

Event: Un ponto de ironiaInstitution: Fundación Vera Chaves BarcellosComment:
Ponton/Van Gogh TV

Artist: Ponton/Van Gogh TV; Ponton/Van Gogh TVComment:
Ponton European Media Art Lab
The Dark Pool 1995 - 1996

Internetproject, have a look at http://www.banffcentre.ca/WPG/nmsc/DarkPool/index.html
Steven Schkolne

Steven Schkolne was born in Cape Town in 1976, and raised in the eastern United States. He received his PhD from Caltech in 2003. He currently teaches software, media, and tech culture as faculty at Calarts. His online work has been associated with
Janet Cardiff, George Bures Miller: The Dark Pool 1995

Crowston, Catherine. Janet Cardiff, George Bures Miller: The Dark Pool Banff Centre (online publication) (1995).
Inter Caetera Divina 1992 - 1992

Throughout the 5-day show, the robot arm drew world maps taken from the time of Columbus up through World War II. The title refers to the 1493 proclamation by Pope Alexander VI that divided the New World between Spain and Portugal.
Critical theory for crypto art: Exploring the impact of non-fungible tokens on the commodification of art in the digital age 2025

Poposki, Zoran. Critical theory for crypto art: Exploring the impact of non-fungible tokens on the commodification of art in the digital age (2025).

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