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Reality Sucks
2000
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2000
A site-specific telescope that manipulates reality.
GeoSCAPE
1999
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2000
GeoSCAPE is a reconstructive tool for capturing measurement data in field archaeology and facilitating a 3-D visualization of an excavation rendered in computer graphics. This project is carried out by extending a recently developed
The Distorted Barbie
1996
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1996
"The distorted Barbie" is a web-art installation that displayed digitally altered images of Barbie dolls in order to comment on Barbie as a cultural/commercial symbol and pop-icon. He published his original Distorted Barbie both on his own site at
Carnation Rain (Largo do Carmo)
2011
video
The augmented reality installation "Carnation Rain" creates a space of remembrance in the Largo do Carmo square, Lisbon. On April 25th, 1974, Largo do Carmo was the site of the outbreak of the "Carnation Revolution" in Portugal. To commemorate this
janus
1998
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1998
A site specific installation, a 12-foot construction made of three light sources suspended above reflective surfaces in turn suspended above a 24+-foot drop, Installed in a warehouse next to the Thames in News Cross Gate, Londoon. (source:
Newtown Creek (oil spill)
2011
video
Newtown Creek is a massively contaminated Superfund site running through the Greenpoint, Williamsburg and Bushwick neighborhoods of Brooklyn, New York. For the AR artwork "Newtown Creek (oil spill)" Tamiko Thiel has created a 3D object from the
Seven Portraits for Maria Hernandez
2010
Maria Hernandez was a Bushwick activist murdered for her fight to free the area of drug use. In 1989 Bushwick Park was renamed “Maria Hernandez Park” to commemorate her memory, but the artist could not find any image of her on the Internet. This
Sea-Changes
1997
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1998
In Sea-Changes (1997-98) artists age 50 or over, from a variety of disciplines, were invited to submit personal biographical materials to a common database. The original idea was to have them use that database as a basis from which create fictional
Figment
2016
Figment offers an experience of the digital sublime, which overlaps with our perception of the digital, landscape, our relationship with each, and the fundamental questions that follow, peering into the nature of our existence. In Figment, rendered
On-line and on-site on equal terms
2000
Fleischmann, Monika and Jasminko Novak and WolfgangAND Kaliva Strauss and Predrag Peranovic. On-line and on-site on equal terms I3 magazine The European Network for Intelligent Information Interfaces , no. 7 (2000).
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