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  • in collaboration with Masayuki Towata. The observer is confronted with the dark surface of a half-mirrored glass on which blinking red LED lights and the observer’s own image is reflected. Within a short time, blue shafts of light begin to radiate
  • Wilson, Ian. Shakespear: Unlocking: The mysteries of the man and his work. New York: St. Martin's Griffin, 1999.
  • A simple kinetic machine. the pages flip over continually. The red text reads: "These cloud capped towers, these gorgeous palaces..." (From the Prospero's epilogue, The Tempest, Wiliam Shakespeare.)
  • Hackett, Helen. Shakespeare and Elizabeth: The meeting of two myths. Princeton, NJ: Princeton Univ. Press, 2009.
  • Event: A Shakespeare Accelerator exhibitionInstitution: Experimental Media and Performing Arts Center (EMPAC), Rensselaer Polytechnic InstituteComment:
  • Awarded a DA2 Open Commission, Martin Rieser has created Understanding Echo, an interactive installation that re-awakens the mythological figure from the Echo and Narcissus myth. In the centre of a darkened room hang a number of translucent
  • curlybot -
    curlybot is an toy that can record and playback physical motion. As one plays with it, it remembers how it has been moved and can replay that movement with all the intricacies of the original gesture; every pause, acceleration, and even the shaking
  • Moore, Lila. The Shaman of Cybernetic Futures: Art, Ritual and Transcendence in Fields of the Networked Mind Cybernetics and Human Knowing, A Journal of Second-Order Cybernetics, Autopoiesis and Cybersemiotics 2018, no. 2-3 (2018): 119-141.
  • Ascott, Roy. The Shamantic Web: art et technologie de la conscience In Pour une Ecologie des Media: Art, Cinéma, Vidéo, Ordinateur, edited by M. Klonaris and K. Thomadaki, 88-104. Paris: Astarti, 1998.